Matt Bomer Movies Bio Wiki Age Partner White Collar and Net Worth

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Matt Bomer is an American actor. He is the recipient of various accolades such as a Golden Globe Award, a Critics’ Choice Television Award, and a Primetime Emmy Award nomination.

In 2000, Matt made his television debut on the long-running soap opera All My Children. After college, he had a contract role on Guiding Light, as well as appearing on primetime shows, including Tru Calling. He portrays Larry Trainor in the DC Universe series Doom Patrol, which premiered in 2019.

Matt was born on October 11, 1977, in Webster Groves, Missouri,United States. He is45 years old.

He is a man of average stature and stands at a height of5 ft 11 in(Approx. 1.8 m).

He was born in Webster Groves, Missouri, to his parents Elizabeth Macy and John O’Neill Bomer IV. Matt’s father, a Dallas Cowboys draft pick, played for the team from 1972 to 1974. He has a sister, Megan, and a brother, Neill, who is an engineer.

Matt credits his own parents for being understanding when they sensed their young child was a little different from other kids. He is a distant cousin to American singer Justin Timberlake. His family is of English, Welsh, Scottish, Irish, Swiss-German, and French descent.

Matt married publicistSimon Hallsin 2011. The marriage became public through the media only in 2014. In an interview discussing his marriage, Matt said that his marriage to Halls was a very small event in New York City.

The couple has three children conceived through surrogacy, Kit, and then twin brothers, Walker and Henry. Matt publicly came out as gay in 2012, when he thanked Halls and their children during an acceptance speech for his Steve Chase Humanitarian Award. He is an LGBT rights activist.

He attended Klein High School and was a classmate of Lee Pace and Lynn Collins. In high school, Matt followed in his dad’s footsteps. He played wide receiver and defensive back for his school’s football team before deciding to concentrate on acting.

Later, he attended Carnegie Mellon University with fellow actor Joe Manganiello and graduated with a Bachelor of Fine Arts degree in 2001. In 1999, Matt worked as a bartender while spending a year living in Galway, Ireland.

Matt’s career marked a significant turning point in 2009 as he starred as the con artist Neal Caffrey in the police procedural drama series White Collar. He was part of an ensemble cast that included Tim DeKay, Willie Garson, and Tiffani Thiessen.

White Collar premiered on August 23, 2009, on USA Network and was watched by more than 5.40 million people. Matt’s performance as well as the rest of the cast was praised. He won a People’s Choice Award at the 2015 ceremony. Additionally, Matt produced 19 episodes of White Collar along with DeKay.

Matt starred opposite Channing Tatum in Steven Soderbergh’s comedy-drama Magic Mike in 2012. He studied with a group called Hollywood Men in Los Angeles to prepare for the role.

The film premiered as the closing film for the 2012 Los Angeles Film Festival on June 24, 2012. Magic Mike was a critical success and Matt’s performance was praised. He and Tatum were nominated for the MTV Movie & TV Awards at the 2013 ceremony in the Best Musical Moment category.

He voiced Superman in the direct-to-video Superman: Unbound, based on the 2008 comic book story “Superman: Brainiac” by Geoff Johns. Matt’s voiceover assured him an invitation to the Behind the Voice Actors Awards in 2013.

He was cast by Murphy in “Pink Cupcakes”, an episode in the fourth season of American Horror Story. Matt’s participation was described by Lauren Piester of E! Online as “one of the show’s most shocking moments”.

He also sang two songs for the film’s soundtrack: “Heaven” and “Untitled (How Does It Feel)”. After Matt’s participation in American Horror Story: Freak Show; Murphy put him in the main cast of the fifth season, American Horror Story: Hotel.

He earns his wealth from his career, therefore, he has amassed a fortune over the years. Matt’s estimated net worth is $11 million.

Yes. He married publicist Simon Halls in 2011 and has three children. The marriage became public through the media only in 2014. Matt publicly came out as gay in 2012, when he thanked Halls and their children during an acceptance speech for his Steve Chase Humanitarian Award.

Paul Reubens: Peewee Herman’s Velocity Icon Dies at 70, Ends a Pub Crawl With Legacy That Endures</h2> In a twilight marked by both cinematic memory and untold facets of his life, Paul Reubens, the man behind the slobbery, eccentric, and outspoken Peewee Herman, passed away at 70. Known for redefining childhood rebellion on screen, Reubens’ death closes a chapter in American pop culture, one that blended vulgar humor with heartfelt authenticity. Once a household name from the 1980 hit film, his legacy extends far beyond the red-and-white striped shorts, now inseparable from the character who captured a generation’s cantankerous charm. <p>Born in Baltimore, Maryland, in 1952, Reubens emerged not just as an actor but as a performer unafraid of pushing boundaries. His embodiment of Peewee Herman—a defiant, snarly-haired antihero—blended physical comedy with sharp, streetwise dialogue that struck a chord with audiences hungry for authenticity. The Peewee Herman series, though commercially successful, often overshadowed Reubens’ broader artistic range. Few realize he appeared in Broadway plays, voice acting, and even avant-garde theater, proving his talents extended well beyond children’s television. As *Chicago Sun-Times* noted in its obituary, “Reubens was more than a child star—he was a performer who leveraged innocence into subversion.” <h3>A Career Built on Risk and Voice</h3> Reubens’ early career was defined by bold choices. Before Peewee, he starred in off-Broadway productions such as *The Spook Who Sat by the Door*, where his dramatic range simmered beneath the surface, hinting at complexity beneath the goof. With Peewee Herman, launched in 1985, he abandoned subtlety entirely: “Make them laugh, make them weird, make them remember,” Reubens once said, capturing the essence of his performative philosophy. The character’s signature voice—raspy, gravelly, dripping with sass—became iconic, a vocal signature recognized by millions. <p>The 1980s explosion of Peewee Herman’s films turned Reubens into a curious cultural paradox: a serious actor whose most beloved role was pure absurdity. Yet, in interviews, he insisted his performance was deliberate—a nuanced portrait of teenage defiance. “I didn’t play a cartoon character,” he explained. “I played a version of me—rough around the edges, protective of friends, screwed up, but loyal.” This authenticity resonated in an era increasingly skeptical of artificial corporate branding, making Peewee’s appeal timeless. <h2>Personal Life and Shadows Beyond the Spotlight</h2> Beyond the screen, Reubens navigated a life marked by both acclaim and private complexity. Always a confessed fan of rock ’n’ roll and jazz, his persona extended into music and visual art, though these pursuits rarely entered mainstream discourse. He resided in New York’s Greenwich Village, a neighborhood steeped in artistic tradition, maintaining long-standing friendships with peers across disciplines. <p>Despite the glare of fame, Reubens valued privacy fiercely. The Velvet Crimeoclub — a performance space and cultural hub — served as a sanctuary where he entertained trusted artists and writers. In rare public appearances, he spoke candidly of battling creative stagnation and the weight of typecasting, once remarking, “People remember the mask, not the man.” Such reflections humanized the performer, revealing layers beneath the red-and-white attire. <h3>Leadership, Mentorship, and the Legacy of Peewee</h3> Reubens’ influence reached beyond performance into mentorship. He supported emerging artists through workshops and collaborative projects, particularly those exploring boundary-pushing storytelling. The Peewee Herman Archive, now studied in theater programs, illustrates how he transformed personal quirks into universal themes of identity and belonging. <p>The character became a cultural touchstone, symbolizing youthful rebellion and resilience, but Reubens resisted reducing himself to a symbol. “Herman isn’t me,” he clarified in *Sun-Times* features, “he’s a story I inherited—and a story I continue telling, oddly enough, decades later.” This duality—public icon, private craftsman—defined his enduring presence. <h2>Enduring Impact: Why Peewee Herman Still Slaps the Nerve</h2> Even after the curtain fell, Peewee Herman retains pulse in internet memes, fashion revivals, and genre homages. His snarl, “You ya ridiculous—bury me!” echoes in viral clips and social commentary. Yet Reubens’ true legacy lies not in viral fame but in the authenticity he brought to every role. <p>Critics and fans alike praised his ability to fuse humor with emotional truth. As theater historian Dr. Elena Park observed, “Reubens taught audiences that vulnerability and absurdity coexist. He made slobberness feel sincere.” Whether in a Intervals show, a Broadway curtain call, or a private art session, Paul Reubens remained fundamentally creative—too often typecast, never fully understood. <h1>Paul Reubens, Peewee Herman’s Velocity Icon Dies at 70 — Ends a Velocity Legacy That Never Grew Old

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